Form-function/form-force

I went to watch Radiohead in Manchester last night, it seems obvious that although the practice engages with cybernetics, system  processes, pattern, multiple screen and multiple dimensions pertinent to the experience of living in a technological age, the practice expresses those ideas by using the language of the natural world rather than a digital one.

What does this have to do with the research project?

(Cgi/craft)/(pattern/form) = (human/nature) animation 


(Form/force) and (symbol/metaphor)/ mystification

Natural Force/form (surface/deep structure) = (human/nature) mystification/contemporary animation

Surface structure=pattern
Deep structure= internal construction
Natural force=natural elements/phenomena and natural environmental conditions
CGI = computer generated 3D Modelling
Craft= analogue traditional model making
mystification=spiritual meaning

Does apophenia arise in technological pattern in the same way as natural pattern? (blot on the landscape project)

Does the observation of natural form and natural pattern lead to mystification?

Does the use of natural form and pattern create a sense of mystification in animation?

Can the capturing and layering of natural phenomena increase mystification of the cgi scene? 

Does the use of natural form and phenomena in animation increase the viewers sense of mystification? 

How would the use of natural form and phenomena affect the viewers level of mystification? (mystical association of nature and spiritual meaning arising from religious and mystical belief systems originating from nature/culture relations) 

















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